Mizutani had a strong affection for French poetry and film, and maintained this affection throughout his life, with many of his lyrics and song structures revolving around poetry and literature. Very little is known about the band's founder and lead singer Takashi Mizutani, aside from his former affiliation with members of the Japanese Red Army and involvement early on in theater at Doshisha University. Mizutani is cited in Susumu Kurosawa's book "Psychedelia in Japan" as saying "Sometimes we hold a guitar, sometimes we hold protests, variety is good, but protest songs are a bore." Takashi Mizutani In 1970, after having performed with the band since 1967, original bassist Moriaki Wakabayashi assisted in the hijacking of Japan Airlines Flight 351 orchestrated by the Communist League's " Red Army Faction." He was known to have attended several of these protests, but Takashi Mizutani's involvement in any such protests without his band mates is pure speculation. The band also performed at political concerts around Japan, including a Kyoto University concert on Gozan no Okuribi protesting the construction of the Sanrizuka airport. Political affiliation Īlthough the band itself was not overtly political, original and early members were known to participate in various political organizations and movements amidst the volatile daigaku funsō and Anpo protests of the time, with the band as a whole reportedly performing in the occupied Kyoto University auditorium while it was held by students during a protest in 1969, this event being known as the "Barricades A Go-Go concert". Three records from Rivista ( '77 LIVE, '67-'69 STUDIO et LIVE and MIZUTANI / Les Rallizes Dénudés respectively) released in 1991, a self-titled 7" single released as a bonus with issue number 2 of the Japanese magazine Etcetera in 1996, and a VHS compilation of recorded live performances produced by the apocryphal "Ethan Mousiké" are the only archival materials purported to be official by the estate of Takashi Mizutani. Archive releases on independent labels such as Univive, Rivista, Phoenix, and Bamboo exist, as well as releases from former members and affiliates of the band. Their discography is made up of mostly of live bootlegs, soundboard archives, and a sparse selection of aborted studio recording attempts. Recordings from the mid to late 70's and 80's start to show the band taking on a more distorted, repetitive, loud, and raw sound, more akin to the sounds shown on albums like White Light/White Heat. Influences like Blue Cheer, Captain Beefheart, The Velvet Underground, and French chanson artists like Antoine greatly shaped the late-60's early-70's sound of the band and Mizutani's creative direction. Initially active between 19, and then again briefly between 19 before permanently disbanding their style of instrumentation and overall musical sound developed greatly throughout time. The band originally planned to record in a studio, but after being dissatisfied with the results, they decided to exclusively perform live shows. Les Rallizes Dénudés was formed in 1967 by a group of students in Doshisha University's Light Music Club in Kyoto, Japan, continuing to exist until 1996 to exist around the core and only persistent member, Takashi Mizutani. Les Rallizes Dénudés ( 裸のラリーズ, Hadaka no rariizu) were a Japanese experimental rock band formed in 1967 in Kyoto, Japan.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |